Tuesday, October 24, 2006

Part I


Part I, which was performed at Roulette in NYC on November 30, 2006, oscillated around the tunnel that connected breathing and sound. Still photographs taken by Noa at a period of distorted visual perception, were brought to life alongside imagery produced by video artist Lio Spiegler, and projected simultaneously with the music.





Part I trailer




Sunday, October 22, 2006

Drops of Consciousness- autobiographical series

Upon waking up in a hospital room, unaware of the days she lay in coma, Noa Guy’s first wish was to hear Beethoven’s string Quartet. Still oblivious to the hardships that lay ahead she was barely able to take in the music she had loved so much…

Ever since that fateful night on October of 1993, Noa guy has been trying to piece back her personal and professional life. Drops of Consciousness is the audio-visual diary of her recovery from a severe traumatic brain injury following a car crash. Each performance in the series represents one aspect of Noa’s healing process. It takes you through the tremors of being thrown beyond the limits of perception, emotions, feelings, and the composition of reality.

The narrative is non-linear and at times seem surreal to the outsider. The purity and pain of that first gasp for air mingle with the memory of the string quartet Noa wrote in 1993 to produce a fragmented aural imprint of her long journey. As the eyes get acquainted to the dim light, the estranged world that looked at her from the windows of her hospital room slowly leaks in. Bits and pieces of reality make up the visual memory of her ordeal and together, the seemingly incompatible become curiously inseparable.

DOC is collaboration between live music, digital manipulation, and visuals. Alon Leventon and Noa Guy improvise live, on stage. Noa generates all the sounds, by singing, breathing, playing acoustic instruments, as well as synthesizer. Alon picks the sounds that appeal to him in that moment and samples them on a computer. Using several dedicated music programs, he transforms the computer into a musical instrument. The result is a cathedral of sounds that is being built during the performance. The entire experience is complemented by close-to-real-time video sequences.

The weaving of auditory and visual inputs opens the door to a world of unique sensory experience, balanced on the thin sliver between solid reality and abstract self.


For show information please check

http://www.roulette.org/events/2007_12.html

Artist Bio


Born in Israel in 1949, Noa Guy studied in the theory department of the Jerusalem Academy of Music and continued to evolve privately and compose original pieces along with composer Abel Ehrlich. In the early 70’s Noa studied composition and electronic music with Boris Blacher in the Hochscule fur Musik in West Berlin.

She moved to Norway where she made two fantastic kids and continued her explorations. After returning to Israel in 1975 Noa worked with Karlheinz Stockhousen for three years, and took master classes with Luciano Berio and Milton Babbitt. After collaborating with Heinz Holiger, Noa received a scholarship from the Scola Cantorum in Basel to compose the electronic score that was later played with live performance by renowned English tenor John Potter in the Nettlefols Festival of Contemporary Music.

She later became sound artist for Ward Swingle on his visit to Israel. From 1985 until 1993 Noa was the musical director at the Jerusalem Music Centre (JMC), where she headed the master class program, and acted as sound engineer and assistant director to all the television productions of JMC. Throughout all these years Noa continued to compose and perform with international accolades.

In the early nineties Noa was invited to NY to work under the tutelage of Isaac Stern. In October of 1993, while driving her and a colleague to New York, Mr. Stern crashed their vehicle inflicting on Noa a severe head injury that changed her life. The resulting brain injury prevented Noa from traveling back to Israel and seeing her family. Worse yet for her, she was unable to play, listen to, or compose any new music.

After being consumed in her own rehabilitation process finding innovative ways to overcome her many physical and mental obstacles Noa Guy came back to the stage. The November 30th show in 2006 marked the first time this unusual musician breaks her long imposed silence.



Photograph by Joshua Strauss -joshphoto2000@yahoo.com-